35 Recenzje

Is the Man Who Is Tall Happy?
6
Is the Man Who Is Tall Happy?

Perhaps most notable is that the film limits its subject’s activism to an afterthought...

Foreign Correspondent
8
Foreign Correspondent

...a prime example of the kind of breakneck travelogue the director more or less invented.

The Final Member
8
The Final Member

The Final Member boasts a stranger-than-fiction subject so odd and funny it almost couldn’t miss.

Rob the Mob
6
Rob the Mob

...there’s an endearing, handmade quality to Rob The Mob, shot in a warm, nostalgic palette...

Elysium
8
Elysium

...stands out for its grime and intensity, as well as the bluntness of its class allegory.

Grabbers
5
Grabbers

...offers a mild, low-key variant on formulas employed more successfully in "Hot Fuzz" and "Attack the Block."

Broken
5
Broken

...an absorbing coming-of-age drama that suddenly, pointlessly self-destructs with an onslaught of cheap ironies and overkill.

Stranger by the Lake
7
Stranger by the Lake

This psychosexual dance forms the crux of Stranger By The Lake, and the film’s circumscribed scope is simultaneously its most intriguing...factor.

Dirty Wars
6
Dirty Wars

As a polemic, Dirty Wars is provocative and productively depressing, raising doubts about the effectiveness of military missions that have the potential to create ideological enemies...

Teenage
5
Teenage

Teenage is educational...

Anchorman 2: The Legend Continues
6
Anchorman 2: The Legend Continues

...there’s a significant chance that it will get funnier over the long haul.

Tim's Vermeer
6
Tim's Vermeer

This is all fascinating for art-history buffs...

Jodorowsky's Dune
8
Jodorowsky's Dune

...an ode to what it means to make a film with unbridled creativity, without limits and without concern for commercial calculation.

The Secret Life of Walter Mitty
5
The Secret Life of Walter Mitty

There’s a hint of sharp satire in the idea that Mitty’s wandering mind affords him an escape from tough economic times, and the movie, shot on celluloid, doubles as an ode to vanishing analog media.

The Great Gatsby
5
The Great Gatsby

...emerges as a half-reverent...adaptation that’s campy...offering a lively take on a familiar work...

2 Guns
5
2 Guns

...Wahlberg is amusingly earnest as a character who badly needs some professional cynicism...

The Book Thief
6
The Book Thief

...a smoothly directed story of a child trying to understand the unfathomable.

The Fifth Estate
5
The Fifth Estate

...content to tell a story more normalized and superficial than the one that’s already in the public record.

The Lunchbox
6
The Lunchbox

It’s a movie built out of grace notes and subtle gestures; when Saajan’s attitude toward his apprentice thaws, it qualifies as an epiphany.

Sightseers
3
Sightseers

The relentless contrast of banality with horror seems to be Wheatley’s signature move...

Elysium
8
Elysium

...stands out for its grime and intensity, as well as the bluntness of its class allegory.

August: Osage County
5
August: Osage County

...the most memorable, stinging moments from the source material remain. As long as this August stays claustrophobic and “stagebound,” the film retains some of the original’s acid touch...

Blue Jasmine
8
Blue Jasmine

There’s something admirably perverse about a movie that casts Andrew Dice Clay as the most upstanding character on screen.

Drinking Buddies
7
Drinking Buddies

It’s rare to see suspense mined simply from the way two stars’ faces hover slightly closer than they should.