35 Recenzje
Perhaps most notable is that the film limits its subject’s activism to an afterthought...
...a prime example of the kind of breakneck travelogue the director more or less invented.
The Final Member boasts a stranger-than-fiction subject so odd and funny it almost couldn’t miss.
...there’s an endearing, handmade quality to Rob The Mob, shot in a warm, nostalgic palette...
...stands out for its grime and intensity, as well as the bluntness of its class allegory.
...offers a mild, low-key variant on formulas employed more successfully in "Hot Fuzz" and "Attack the Block."
...an absorbing coming-of-age drama that suddenly, pointlessly self-destructs with an onslaught of cheap ironies and overkill.
This psychosexual dance forms the crux of Stranger By The Lake, and the film’s circumscribed scope is simultaneously its most intriguing...factor.
As a polemic, Dirty Wars is provocative and productively depressing, raising doubts about the effectiveness of military missions that have the potential to create ideological enemies...
Teenage is educational...
...there’s a significant chance that it will get funnier over the long haul.
This is all fascinating for art-history buffs...
...an ode to what it means to make a film with unbridled creativity, without limits and without concern for commercial calculation.
There’s a hint of sharp satire in the idea that Mitty’s wandering mind affords him an escape from tough economic times, and the movie, shot on celluloid, doubles as an ode to vanishing analog media.
...emerges as a half-reverent...adaptation that’s campy...offering a lively take on a familiar work...
...Wahlberg is amusingly earnest as a character who badly needs some professional cynicism...
...a smoothly directed story of a child trying to understand the unfathomable.
...content to tell a story more normalized and superficial than the one that’s already in the public record.
It’s a movie built out of grace notes and subtle gestures; when Saajan’s attitude toward his apprentice thaws, it qualifies as an epiphany.
The relentless contrast of banality with horror seems to be Wheatley’s signature move...
...stands out for its grime and intensity, as well as the bluntness of its class allegory.
...the most memorable, stinging moments from the source material remain. As long as this August stays claustrophobic and “stagebound,” the film retains some of the original’s acid touch...
There’s something admirably perverse about a movie that casts Andrew Dice Clay as the most upstanding character on screen.
It’s rare to see suspense mined simply from the way two stars’ faces hover slightly closer than they should.