60 Recensies
...one of those movies that shows rather than tells—always preferable...
... a film that requires not only the physical prowess we all expect from Bell, but some emotional heavy lifting as well. And when she can, she succeeds.
.. a loving tribute to the counterculture tentpoles of punk rock and horror movies... ...made in suitably low-budget, DIY style by a promising new filmmaker.
Drenched in grit, gore, and neon, VFW is an action throwback that hits all the right notes...
...the gore is gnarly, the paranoia is palpable, and the characters, while sometimes annoying, have motivations and arcs that make sense.
Choe keeps emotional truths obscured and questions unanswered throughout the film, creating a feeling of unease that gives this quiet film the texture of a thriller.
...a lean, efficient, and disturbingly timely crime thriller...
...dramatizes the GameStop short squeeze of January 2021 in an irreverent style that depicts recent history with surprising specificity.
Chastain’s performance—icy-cold, unblinking, and perpetually teetering on the edge of deranged—is a highlight.
Nyoni is clearly confident in her vision and the story she wants to tell, and in her capable hands, the result is spellbinding.
...some starkly beautiful imagery.
Pulpy and outrageous, irreverent and ultraviolent, The Suicide Squad does so with a smile.
...an invigorating and inspiring concert film.
Jane Campion finally returns to movie screens with this sensual take on the revisionist oater.
...brutally efficient revenge thriller.
As an attempt to raise awareness of what it’s actually like to live with ALS, Gleason (as well as Gleason) should be lauded.
Comedy is notoriously hard to translate, but apparently men are pigs in every language.
Transgressive, unclassifiable, ridiculous—all these words apply to R100. But upon reflection, it becomes clear that Matsumoto has achieved something remarkable here...
...pays affectionate tribute to the dork inside every metalhead.
...a film that is small but not slight, sweet but not cloying, and the kind of thing that can make even a cynical critic like movies again.
...feels like trying to eat lunch in a room full of screaming toddlers who keep slapping the sandwich out of your hands.
This movie sees things from the insect’s point of view.
Evrenol does have a talent for evoking the menace hanging around the edges of everyday life; under his lens, meat sizzling on a grill takes on an ominous quality...
...the animal scenes...are well done, with some nice-looking...underwater cinematography.